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In the March 2007 issue of American Artist, Utah artist Brad Teare used a number of techniques to give his woodcut prints a fluid, organic quality that brings them closer in appearance to his plein air oil paintings. Visit Teares website for more information.
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| Afternoon Walk 2002, nine-block woodcut, 9 x 10. All artwork this gallery collection the artist. | River Rocks 2005, nine-block woodcut, 11¼ x 15. | Desert Crown 2002, six-block woodcut, 8 x 9½. |
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| Desert Blossom 2003, seven-block woodcut, 8 x 8½. | Cliff Shadows 2003, nine-block woodcut, 9 x 10½. | Rustic Sentinels 2003, eight-block woodcut, 9½ x 9. |
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| Morning Solitude 2002, 10-block woodcut, 9 x 10. | Long Valley Morning 2002, 12-block woodcut, 9 x 11. | River Soliloquy 2002, eight-block woodcut, 9 x 11. |
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| Door Like the Sky 2002, seven-block woodcut, 8 x 11½. | Clouds and Bluff 2003, seven-block woodcut, 9 x 9. |
To read the complete feature on Brad Teare, check out the March 2007 issue of American Artist today!
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